Historic Preservation: Thankless Task
I finally left Southern California last Tuesday. I'm in Portland now,
but on the way I stopped to visit a long time friend, Richard LaVoie of
Sacramento. Richard
came to West Hollywood during the "Camelot" days of the creation of the
city. He was a deputy for then State Senator David Roberti, helping to
draft much of the initial HIV anonymous test site legislation as a part
of being an officer in Stonewall Democratic Club during Valerie
Terigno's presidency. Like most of Stonewall, he helped her get elected
to the first city council, and then worked as a reporter for the West
Hollywood Paper. He then joined the staff of the Advocate as a reporter
before returning to Sacramento in the late 1980s because of family
issues that required his return. About
the time he returned, he discovered that the Sacramento Memorial
Auditorium was in jeopardy of being gutted. The city was claiming that
it was "crumbling" and a safety hazard, had serious code violations,
and should be completely renovated. A local theatrical lobby had teamed
with the city to convert it into a fixed theatrical venue. Richard
was appalled. The auditorium had been built in the mid 1920s as
Sacramento's only memorial to its war veterans. The entire focus of the
building was to make it a multiple use venue, one that could be used
for everything from fine arts to basketball; even the circus had
performed in it. The purpose of the building had been egalitarian and
open, not exclusive and limited. He and others discovered that
the level of deterioration in the building had been greatly exaggerated
by city staff. The city claimed "numerous market studies" to prove the
need for a theater. The studies did not exist, and when pushed, the
city could not produce them. The city staff sincerely believed that the
existing building could no longer serve the community and generated a
pattern of dishonesty in an attempt to support those beliefs. A small
group of citizens, the ego of the architect who drew up the plans for
the renovations and a city staff that wanted to enhance their resumes
with a redevelopment "accomplishment.” Richard
initially started with a small group of equally concerned natives, all
of whom had significant memories throughout their lives in the
building. The auditorium had been the location for graduations,
recitals, sports events, rock concerts, weddings, civic funerals, and
even the circus. "Everyone who grew up in Sacramento had vital and
important memories in that building" explained Richard. Soon, his
group, "Save the Auditorium,” convinced a lone city council member to
take up the cause. A ballot initiative qualified the issue for
the June 1992 election. The entire power structure of Sacramento
opposed it; local press, community groups, city officials and most of
the City Council voiced strong opposition to the measure. Only "Old
Sacramento" (a community preservation group) and the Veterans
Organizations supported Measure H. Measure H passed by 221 votes
(of over 100,000 cast in the election). The city appointed an ad hoc
committee, half who had supported measure H, half who had opposed, to
come up with recommendations for the building. The committee spent the
first year fighting and "spitting" at each other. Eventually the
committee agreed that the building should retain its egalitarian
quality and remain a multi-use venue. Recommendations were made that
would cost about $14 million to complete. In
the meantime, the city took a financial downturn and funds for the
project went lacking. In a private meeting with the Assistant City
Manager, Richard and his team pointed out that the project could be
done for about $9 million. That plan was approved and the actual work
was done six months ahead of deadline. In the end, everyone
realized that the building was basically sound, "a modern steel and
concrete structure, extremely robust, not at all "crumbling" or a
“safety hazard.” All it really needed was modern accommodations,
wiring, and updates on its basic systems. One of those systems, quite
unique, is a main floor that tilts. It can be level for general use,
and tilted four feet (by use of hydraulics) for stage venues. This
stands in sharp contrast to West Hollywood, where all dissent on city
pet projects is met with exclusion. The experience in Sacramento
reflects a city in which both sides eventually got involved and
actually created a fruitful dialogue leading to a workable compromise.
One of the saddest aspects of life in current West Hollywood is the
clear divisions between "Insiders" and the rest of the city. Anyone
who dissents from the City's agenda is excluded. George Credle, a
respected Historic Preservation expert (with a master’s degree in the
field) and advocate, ran against the incumbents in 2005 and was
rewarded for his love for and concern about the city by being dropped
from the Historic Preservation Advisory Board. This
author, who was one of the founding members of the East Side PAC, was
elected as an officer for two terms, was a long time neighborhood
advocate, and got 712 votes and the support of many small businesses in
that election. I was rewarded for my love for and concern about the
city. Too - by being "fired" (not re-appointed) to the East Side PAC. More
recently, Janelle Hensley and her neighbors who fought and worked to
save The Ramona, and were told in a private meeting with Abbe Land and
John Heilman that the two buildings in the complex that would be saved
as the "affordable" element of the condo redevelopment project will
likely be sold to the West Hollywood Community Housing Corporation. Not
only that, but Janelle and her neighbors will not be allowed to rent
them because they are not on the "list", said list having been opened
and closed with the group never having been informed, even though they
had long expressed interest in remaining in the units whether that
meant buying or renting them. One expects indifference from City
Hall. The term "you can't fight City Hall" was coined long before West
Hollywood came into existence. In Sacramento, frustrated council
members facilitated a win/win for the community’s residents. Too often
in WeHo even win/win solutions seem to get turned against those who
initially oppose council members’ pet projects. As we saw with the
recently filed and hastily retracted law suit against Tara’s evicted
residents, City government stands ready to retaliate. The Ramona
situation smacks of similar retaliation, albeit quieter and more
insidious because of the behind-the-scenes nature of it and because it
undercuts people’s dreams and uproots them from their homes. It's a
very sad state of affairs and not what the Creative City was created to
be. From here in the Jantzen Beach RV Park on Hayden
Island in Portland Oregon, where rent is $420 a month and includes
electricity, Ed Garren Edward "Ed" Garren, MFT is a Family
Therapist and former City Council candidate in 2005. He is originally
from central Florida. He also lived in Miami where he was active in the
creation of the Art Deco district on South Beach, as well as the
Coconut Grove Arts Festival. He moved to West Hollywood in 1983 and was
active in Stonewall Democratic Club and the effort to create West
Hollywood. Ed has been published in the Los Angeles Times, Frontiers
news magazine, and other books, including "Out of My Mind", a pictorial
memoir by Kris Nelson. Ed can be reached at
Mr. La Voie in 1984. 
The refurbished Sacramento Veterans’ Memorial Auditorium. 
Tara’s green space is slated for redevelopment. The City is building senior housing on these grounds. By Ryan Gierach. 
ADVERTISEMENT